Sapir Rosenblatt is a producer, audio engineer, and musician. She started at New York Public Radio as an intern for WQXR, where she edited and helped produce shows such as Reflections From the Keyboard, Young Artists Showcase and New Standards. She also produced a special project for Women’s History Month called Kids React to Women Composers and worked as a production assistant on the radio documentary Making Belafonte: An Appreciation with Terrance McKnight. She has worked on both seasons of The Open Ears Project.
Alongside working at NYPR, Sapir is a proficient singer and a composer. She was part of the vocal trio ‘The Hazelnuts’ as a lead singer and arranger, performed in international jazz festivals around the world and regularly collaborated with household names such as the Israeli Opera, the Israeli Philharmonic Orchestra conducted by Zubin Mehta, the Israeli Camerata Orchestra and the Revolution Orchestra
In the prime of his illustrious career, Wolfgang Amadeus Mozart ran in the realm of prominent, Black visionaries. But after composing “Zaide,” an unfinished opera depicting a slave re...
At the heart of “Aida” is an African love story: the Ethiopian princess Aida is torn between loyalty to her country and passion for her captor, the Egyptian general Radamès, who loves...
Tonight on Reflections from the Keyboard, David Dubal continues his tribute to pianist Vladimir Horowitz.
“Otello” debuted in Milan in 1887, just two years after European nations gathered in Berlin to agree on a campaign to carve up and colonize the African continent for their own profit....
In this radio special of “Every Voice with Terrance McKnight,” enjoy this season’s journey into Mozart’s "The Magic Flute," its investigation into the overlooked character of Monostat...
This week on Reflections from the Keyboard, David Dubal begins a new series in tribute to Vladimir Horowitz.
With such a dark past, what does the future look like for opera as an art form? From Verdi to Mozart, many of opera’s most celebrated works famously reduce people of African descent t...
Mozart’s “The Abduction from the Seraglio” was first heard in Vienna in 1782, commissioned by Holy Roman Emperor Joseph II to cater to the German-speaking audience of the capital city...
After almost three years of pop-up outdoor performances and playing in venues around the city, the NY Phil came home to a newly renovated David Geffen Hall in October of 2022. Part of...
The story is a classic in the gilded halls of symphonic music: someone falls ill and a young performer must step in at the last moment. For Leonard Bernstein, that happened live on th...
Do we know when we’re living through history? In 1893, New Yorkers gathered outside Carnegie Hall to hear the ground-breaking premiere of composer Antonín Dvořák’s Symphony No. 9, bet...
April 29th, 1865: Fifteen days after the assassination of Abraham Lincoln, the Philharmonic paid tribute to the late president with the Funeral March from Beethoven’s Symphony No. 3. ...
On December 7, 1842, a group of musicians gathered in the Apollo Rooms in Lower Manhattan and performed – for the first time – as the Philharmonic Society of New York. The first piece...
In Mozart's "The Magic Flute," Monostatos is smitten by the white princess Pamina, whom he is supposed to be guarding under the orders of the high priest Sarastro. His desire to love ...
At over 200 years old, “The Magic Flute” remains a classic opera which continues to be taught, studied, and performed in sold-out venues around the world. But with more than two centu...
Monostatos the Moor in Mozart’s “The Magic Flute” is one of the most famous representations of Blackness in opera - a genre with limited representation of characters of African descen...
Bob Sherman introduces the 2020 Salon de Virtuosi Career Grant recipients.
Pianist Jenny Lin performs works by Silvestrov, Mozart, and Stravinsky. We also hear the Dover String Quartet with highlights from the ensemble’s performance in WQXR’s Greene Space.
This program features a 2011 A Little Night Music performance of Haydn and Mozart by pianist Juho Pohjonen and highlights from the opera The Black Clown, with bass-baritone Davóne Tines.
This A Little Night Music features Israeli pianist Inon Barnatan’s 2016 Mostly Mozart debut, for which he performed a range of works from the 18th to the 21st centuries.